Willow Park is a daughter to same sex parents, while queer couples of all shapes and sizes can be found amidst background characters who are all treated as a facet of normalcy in this world. Lumity might be The Owl House’s crown jewel of queerness, but there remains countless other examples of representation spread throughout that help paint the show as peerless in its diversity. It’s valid, adorable, and provides her identity with a deserved sense of agency. She might be in a sapphic relationship, but her bisexuality is never once undermined as she shows attraction to both men and women. It’s the same for Luz, even if romance is a secondary trait of her character journey when all is said and done. It’s a beautiful demonstration of growth, and one we’ll likely see reach its final destination in the upcoming trio of specials. Yet love still persists, it just needs a place to grow and repair itself in the face of unforeseen obstacles. In later episodes we see that despite her father Alador wanting a better relationship with her, she still isn’t willing to fully forgive him or even grant him a hug. Amity’s queer journey is arguably the show’s most compelling, with her character arc seeing them become a kinder, more considerate person while still recognising she has room to grow.
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She loves her family, but wants to be her own person while still standing alongside them.
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She even dyes her hair in an act of defiance to better represent her love for abomination magic and a desire to break free of her mother’s unreasonable expectations. We’d see this throughout the second season as Amity grows from a girl secretly hiding her rejected Grom invitation to someone who rebels against her parents to save Luz from danger. It didn’t just open the door, it kicked the damn thing down and set it on fire. Despite this, I’m not sure anyone expected The Owl House to be so unapologetic in its LGBTQ+ storytelling. As the first season came to a close it was clear that Luz and Amity were going to be made canon, their chemistry so evident that only the most hardened of sceptics could deny it. Episodes like ‘The First Day’ and ‘Enchanting Grom Fright’ planted romantic seeds that would soon blossom, unafraid to explore the anxious delight of same-sex relationships in a fictional world free from homophobia.
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Our doubts turned into hope, no longer a need to search endlessly for subtext.Īmity caught feelings for this nerdy little human girl, inadvertently spurring forth her own personal growth as a consequence. So much of the show was queer-coded, both in dialogue, appearance and overall intention. Luz’s attraction to both Edric and Emira throughout ‘Lost in Language’ cemented her bisexuality, while we’d see Amity’s own defenses lessen across the first season as she sought to help Luz instead of bully and belittle her. Small comments and cutesy interactions between certain personalities had some of us believing that maybe The Owl House would go all the way despite its home on Disney Channel, but there remained so many lingering doubts. Related: Dead End - Paranormal Park Is A Spooky, Fun, And Super Queer Adventure From here it was off to the fruity races, and we’ve never looked back. Themes of found family, personal acceptance, and learning to be a stronger person in spite of societal expectations across the first handful of episodes established the bedrock for what was to come. I tuned into the show from its first episode, watching from afar as the fandom began to form around Luz Noceda and her magical adventures amidst The Boiling Isles.